11-04-2007, 10:15 AM
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Who's Ya Daddy Bee-atch!
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Join Date: Jan 2007
Location: On The Edge
Posts: 3,053
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20 Rules of Logo Design
Here are some of the rules that I try to abide by while working on logos. Some of them have to deal with process, some with client relations and others on technical issues. I can’t say that I follow these rules 100% of the time, but they are some important things to keep in mind. They are in no particular order.
I’m most interested in learning what standards other designers abide by. Please share.- Get as much information as possible before you start on the project.
- Make sure you are working with the decision makers.
- Get inspiration outside of the logo books. Try an art museum or the local scrap yard.
- Don’t use gradients. Well… If you do, just make sure the mark looks great without the gradients as well.
- Committees can’t commit. Have a very direct and transparent plan if you do agree to work with a committee (never agree to work when there is more than one committee involved in the approval process).
- Don’t just ask questions of the client, but work to figure out what lies underneath their answers.
- Keep animation in the back of your mind, even if you don’t see the client needing it immediately.
- Don’t leave “fine tuning” for after the client approval. Most of the time, after a logo is approved, the client wants it “ASAP”. If you do leave “fine tuning” for after the client gives final approval, make sure you follow through.
- Work to appear current without being too trendy. More Sprint. Less at&t. Traveling/bouncing circles, droplets and or “canted” logos are becoming as trendy as the ubiquitous swoosh.
- As much as you love the mark you created, make sure it is balanced with the type (if they are separate). Don’t make a mark that will completely overpower the company name and vice versa.
- Simplify
- Make sure it is recognizable at a quarter inch.
- Make the overall shape unique. Think of the Coke bottle.
- When you are creating shapes in Illustrator, use as few points as possible.
- Start with some sort of sketch. Even if you are not a full-on thumbnail person, rough sketches on lined paper is better than nothing at all.
- Start in black & white. Present that to the client before color becomes a factor (I am talking to myself here as well).
- Strive to create a mark that would only work for your client, while allowing room for the company to expand and grow.
- Don’t lose site of the overall picture. I find myself getting caught up in fine tuning details on a mark that, when looked at objectively, doesn’t fit within the client’s needs.
- Don’t present a logo option to the client that you are not fully confident in. They WILL pick your least favorite.
- Don’t forget that the logo is just one element in the larger scheme of the identity and brand.
From beadesigngroup.
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These can be extremely well-done or extremely overdone. A simple photo icon from a CD stuffed with royalty-free images is isolated on a white background, and the name of the company is run beneath it. The approach is decidedly more elegant when the visual is supported with a twist of phrase, or when the phrase is supplied with a somehow unexpected visual.
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